上海悟美装饰设计有限公司

远香湖九号别墅-29#现代中式设计

Yuanxianghu No.9 Villa -29 # Modern Chinese Design

项目名称：远香湖九号别墅-29#现代中式设计·传统东方美学+现代生活需求
项目地址：上海市嘉定区宝塔路99弄(宝塔路与裕民南路交汇处)
建筑面积：350平方米

PROJECT NAME：Yuanxianghu No.9 Villa -29 # Modern Chinese Design
LOCATION：Lane 99, Baota Road, Jiading District, Shanghai (Intersection of Baota Road and Yumin South Road)
AREA：350 square meters

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远香湖九号别墅-29#现代中式设计·传统东方美学+现代生活需求

本项目的设计理念以传统东方美学为根基，融合现代生活需求与审美趋势，形成了以下核心特征：

一、哲学内核：天人合一的空间逻辑

‌自然共生‌：遵循“虽由人作，宛自天开”的造境哲学，通过借景、框景等手法实现室内外空间渗透。

‌动静平衡‌：利用屏风、游廊等设计划分功能区域，兼顾私密性与开放性，再现“犹抱琵琶半遮面”的东方意境。

二、设计语言：传统符号的现代化转译

‌材质创新：

29#别墅在设计中保留木材、石材等自然材质纹理，但采用现代工艺处理替代传统木结构。

引入玻璃、不锈钢等现代材料，形成新旧材质对话。

‌色彩体系：

主色调以木纹色、青灰、米咖等低饱和色系奠定沉稳基底

局部点缀水墨黑、朱砂红等传统色，通过留白强化空间呼吸感。

‌符号提炼：

简化传统纹样，以几何线条重构中式韵味。

运用圆形餐桌、禅意吊灯等器物隐喻“天圆地方”哲学。

三、功能重构：传统美学的当代适应性

‌空间复合化‌：在地下室设茶室和书房，为开敞式，兼具社交与冥想功能，同时实现阅读/办公模式切换。

四、工艺传承与创新

‌匠心技艺‌：保留榫卯、大漆等传统工艺，但简化工序。

‌文化容器设计‌：博古架陈列现代艺术品，苏绣技法演化成抽象墙饰，实现“古法今用”。

五、生活方式映射

‌场景诗意化‌：餐厅通过中国画营造“野泉声入砚池”的用餐仪式感。

‌情感连接‌：庭院传统景观设计、室内中式风格唤醒文化基因中的集体记忆。

这种设计理念通过“去形取意”的手法，将传统文化转化为可感知的空间体验，既满足现代人对舒适性的追求，又回应了深层的文化乡愁。

Yuanxianghu No.9 Villa -29 # Modern Chinese Design, Traditional Oriental Aesthetics+Modern Life Needs

The design concept of this project is based on traditional Eastern aesthetics, integrating modern life needs and aesthetic trends, and forming the following core features:

1、 Philosophical Core: The Spatial Logic of the Unity of Heaven and Man

Natural Coexistence: Following the philosophy of "although created by humans, it is like opening from heaven", indoor and outdoor space infiltration is achieved through techniques such as borrowing scenery and framing scenery.

Dynamic and Static Balance: Using screens, corridors, and other designs to divide functional areas, balancing privacy and openness, and reproducing the Eastern artistic conception of "holding a pipa and half covering the face".

2、 Design Language: Modern Translation of Traditional Symbols

Material innovation:

Villa 29 retains natural material textures such as wood and stone in its design, but uses modern craftsmanship to replace traditional wooden structures.

Introducing modern materials such as glass and stainless steel to create a dialogue between old and new materials.

Color system:

The main color scheme is based on low saturation colors such as wood grain, bluish gray, and beige, which establish a stable foundation

Locally embellished with traditional colors such as ink black and cinnabar red, enhancing the sense of breathing in the space by leaving white space.

Symbol extraction:

Simplify traditional patterns and reconstruct Chinese style charm with geometric lines.

Using circular dining tables, Zen inspired chandeliers, and other objects as metaphors for the philosophy of "heaven is round and earth is square".

3、 Functional Reconstruction: Contemporary Adaptability of Traditional Aesthetics

Space compounding: Set up a tea room and study room in the basement, which are open plan and have both social and meditation functions, while achieving switching between reading/office modes.

4、 Craft Inheritance and Innovation

Craftsmanship: retaining traditional crafts such as mortise and tenon joints and lacquer, but simplifying the process.

Cultural container design: Bo Gu shelf displays modern artworks, and Su embroidery techniques have evolved into abstract wall decorations, achieving the goal of "using ancient methods for modern purposes".

5、 Lifestyle Mapping

Poetic scene: The restaurant creates a dining ritual of "wild spring sound entering the inkstone pool" through Chinese painting.

Emotional connection: Traditional courtyard landscape design and indoor Chinese style awaken collective memory in cultural genes.

This design concept uses the technique of "removing form and taking meaning" to transform traditional culture into a perceptible spatial experience, which not only satisfies modern people's pursuit of comfort, but also responds to deep cultural nostalgia.

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